Chosen for Onyx Coffee Lab's first-ever artist collaboration — original illustrations for their apparel line. Onyx is a Northwest Arkansas institution built on a genuine reverence for craft and origin, which is exactly why the fit was right. This is the work I'm after: mission-aligned brands, rooted in place, that treat illustration as part of the story rather than decoration.

A hometown dream, back when Fort Collins was home. New Belgium chose my artwork for their Mountain Time Premium Lager — my design on a can from a brewery I'd loved for years. This is the work I chase: place-rooted brands, made for people and communities that matter to me.

Fellow Citizens, a church in Denver, brought me in to give visual form to their mission and vision. Translating a community's shared values into something they can see is about as meaningful as this work gets for me — the kind of purpose-driven work I take on across all kinds of organizations.

An official gig poster for St. Paul and the Broken Bones' Fort Collins show — a limited-run screenprint I got to design and illustrate end to end, built around a cosmic peacock whose feathers open into a whole universe of planets, comets, and stranger things. Music work like this is some of my favorite: a band and an audience who show up for craft, room to actually cut loose visually, and a finished piece people want to hang on a wall rather than scroll past. It's illustration doing what I love most — carrying a mood, rewarding a second look, and living on as an object someone keeps.

Screenprinted by Pine Printshop, Fort Collins, CO